THE EMMYS
The Emmys Can't Even Get the Narrative Right

You know an awards show is in trouble when Rob Lowe appears and you find yourself wishing he brought Snow White with him. Last night’s 63rd Primetime Emmy Awards were, by turns, mawkish, desperate, cringe-inducing, and dull — and that was before the gang from Entourage heroically reunited after an absence of only one week. It’s hard to pinpoint the exact moment things tipped into catastrophe during Fox’s broadcast. Was it the decision to emulate the worst of the Oscars via cheesy, context-free montages reminding us just what, exactly, comedy is? (Note to producers: It’s not Nurse Jackie.) Or was it the subdivision of the show by category, thus guaranteeing a final third devoted to America’s enduring love affair with miniseries about British class discomfort? Perhaps it was the audibly flop-sweating voice-over announcer whose job it was to drop joke bombs like “his favorite Marx brother is Richard” while winners approached the podium, thus treating the show’s only unscripted moments like the allies treated Dresden? Or maybe it was an “In Memorium” segment so classless and tone-deaf it managed to forever ruin both “In Memorium” segments and death? Or was it the sad, craven sight of random television B+-listers shackled together in sock-hop burlesque and forced to perform a cappella intros as the Emmytones? You know what? Yep. It was that.












