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SONGS OF THE WEEK

Songs of the Week: Die Antwoord Resurrect Mims, Kanye West Is Feeling Israeli

By Amos Barshad at

Die Antwoord, "DIS IZ WHY I'M HOT (zef remix)"

You're rapping over that Mims song?! Mims??!!! It's been, like, six years! He was famous for like 45 seconds! Die Antwoord — just when I thought you couldn't have gotten any less one-note, you go and do something like this ... and totally redeem yourselves!

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SONGS OF THE WEEK

Songs of the Week: The xx, Domo Genesis, Refused, JJAMZ, and Rick Ross and His Famous Friends

By Amos Barshad at

Rick Ross feat. Jay-Z and Dr. Dre, "3 Kings"

To complete the implicit analogy between this new track from Ross's God Forgives, I Don't and David O. Russell's early classic Three Kings: Jay-Z is obviously George Clooney, Dr. Dre is probably Ice Cube, and so Ross is Mark Wahlberg? And Gunplay can be Spike Jonze?

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THE BORROWER

That's the Song Kanye West Likes: Yeezy, Chief Keef, and the Art of the Backhanded Cosign

By Alex Pappademas at
DGaines1234/YouTube

A question on the occasion of the 13th or 14th time I've listened to Chief Keef's "I Don't Like (Remix)" today: Is anybody better at co-optation through collaboration than Kanye West?

Chief Keef is a previously superunknown, dreadlocked 16-year-old rapper from Chicago's South Side. Earlier this year, he became a viral fascination after a video of a very, very excited young man in a wood-paneled rec room celebrating Keef's release from jail on weapons charges became a hit on Worldstarhiphop.com. Keef was big among local high school kids, but he seemed to have no connections whatsoever, even on the regional level; in a hip-hop moment where even upstart blog-rap types like A$AP Rocky seem to arrive pre-assimilated, with label/media/fashion cosigns in place, that appearance of total aesthetic purity goes a long way. So did the detail that Keef has managed to blow up despite still being under house arrest at his grandmother's home, which is also the kind of hook that gets the attention of editors at outlets not normally known for commissioning long-form profiles of newish rappers (call it the Earl Sweatshirt Exemption).

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GRADING THE TRADES

Demi Moore to Possibly Make You Feel Bad About Some of Your Internet Activities

Demi Moore
Fernanda Calfat/Getty Images

Demi Moore has joined the biopic Lovelace as Gloria Steinem, whose involvement in the story came through a profile she wrote of Linda Lovelace for Ms. describing how the porn actress was forced into shooting the infamous Deep Throat. Also newly onboard are Adam Brody, as Deep Throat co-star Harry Reems, and Eric Roberts, as lie-detector expert Nat Laurendi. Wait, hold up, sorry: Seth Cohen is playing a porn star? Probably should have led with that information. Grade: B [HR]

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GRADING THE CHARTS

This Week's Top Ten in R&B and Hip-Hop as Movie Musicals

Lil Wayne/Kanye West
Kevin Mazur/WieImage

Every week we ask Molly Lambert to dive deep on one of the Billboard top ten songs of the week charts. This week's victim? The R&B and Hip Hop list, which Molly kindly transformed into film adaptations before grading.

1. Jay-Z & Kanye West, "Ni**as in Paris"

Wizards In Paris (G): A CGI-saturated family adventure about Apples (Jay-Z) and Grapes (Kanye West), two koalas on the loose in the City of Lights after stowing away on a luxury cruise (where they romance gold-digging squirrels, upend a millionaires' buffet and eat so many shrimp). Arriving in Paris on a chilly snowy night, the rascally marsupials face racist cabdrivers, a steep conversion rate, and evil time-traveling steampunk stage magicians. The movie climaxes with an exciting chase through the Chanel flagship store and an epic tumble into the catacombs to face off with both the metropolis's fabled wizards and their own fragile furry mortality.
Listen: Here
Grade: A

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SONGS OF THE WEEK

Songs of the Week: DOOM, Thom Yorke, and Jonny Greenwood Walk Into a Recording Studio...

By Amos Barshad at

DOOM feat. Thom Yorke and Jonny Greenwood, “Retarded Fren”

When official word came down that underground rap’s king weirdo DOOM was actually teaming up with Radiohead’s Thom Yorke and Jonny Greenwood (for a track on Complex, Lex Records’ 10th Anniversary compilation), it was tough not to geek out a little bit. Which means the end result — a perfectly adequate DOOM track for which Yorkey and Greeny provide a beat that sounds like the score for a chase scene in a stylized neo-noir movie — is, through no fault of its own, just a touch disappointing. But what were we expecting? For Thom to throw down some bars? The best part is when DOOM shouts out the Lex anniversary show he’s playing with Ghostface tomorrow. That plug will age well.

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